Lotion Discharge And Pregnancy

THE GROWING PROJECT, a growing work of art

The "GROWING PROJECT" is an idea of ALEXANDER Snehotta of Kimratshofen, an artist and inhabitant from Munich (Germany, Bavaria).

As many people as possible shall participate in this sculpturelle installation.

an empty cigarette packet Crumple up, attach it in the form of and stick it to the "core" already existing according to your wishes.

In the future a gigantic pyramid, ball or other "geometric" figure will be built from the once little primordial cell.

The project is perpetuated approximately half a year and the newest stand contents shall be shown on the Internet.

The growth of the sculpture and the increasing number of participants shall be particularly documented.

A huge variety of persons has „signed up“ at this way of the action-art already now.

For only one euro "registration fee" one becomes godfather and part of this work of art, rising with a community growing constantly.

Further support to the project donate is liked to be seen.

Show your friends your contribution to the art!

You will find artist and work of art at the traditional artist in the mile LEOPOLDSTRASSE (Munich) almost every Saturday.

Cheats Pokemon Gpsphone Itouch

The Growing Project - a growing art

THE " GROWING PROJECT " is an idea of MUNICH EXCEPTION OF ARTIST ALEXANDER Snehotta Kimratshofen. MANY PEOPLE AS POSSIBLE SHOULD BE AN A sculpturelle installation. Crush an empty cigarette box, BRING IN FORM AND STICK TO YOUR WISH TO THE EXISTING " NUCLEAR " . In the future, a gigantic pyramid, ball or other " GEOMETRIC " figures from the once little primordial cell. THE PROJECT IS FOR ABOUT HALF A YEAR BE UPDATED ON THE INTERNET AND POSSIBLE KEPT UP TO DATE. In particular, the GROWTH OF PLASTIC AND THE INCREASING NUMBER OF PARTICIPANTS ARE DOCUMENTED. ALREADY NOW HAS A NUMBER OF PEOPLE IN THIS KIND OF ART ACTION INVOLVED. ONLY FOR EURO " PARTICIPATION FEE " BECOME A SPONSOR AND PART OF A WORK OF ART, THE IN ASSOCIATION WITH A STABLE GROWING COMMUNITY IS CREATED. DONATIONS TO SUPPORT THE PROJECT are welcome. SHOW YOUR FRIENDS YOUR CONTRIBUTION TO ART! YOU ARE ARTISTS AND ART WORKS ALMOST EVERY SATURDAY AT THE TRADITIONAL ARTISTS IN THE MILE ROAD LEOPOLD (MUNICH).

Beige Color In The Bible

Nihonismus, a new form of art

Alexander Snehotta of Kimratshofen, the exception artist from Munich, presents himself with a new art direction which he describes as a Nihonismus: a type of the abstract painting, which goes back on art forms of old Japan, (as flourish painting, gold cladding art, woodcut/wood pressure and many more).

He takes part in the traditional exhibition possibility at the strolling mile "Leopoldstraße" in Munich in the well-known artist quarter Schwabing, where he and his art can be seen „en nature“ in changing times.

After advance notice the artist, herald and man of letters proudly invites you to visit him at his artist apartment in the Maxvorstadt, where his works can be looked at in the original.

 

 

Interview:

Alexander Snehotta of Kimratshofen is an artist from the quarter rich in tradition, Maxvorstadt-Schwabing, in Munich where he also lives and works. He is 1st executive board of the artists’ association Kunstrefugium e.V. and a member of the artist union "color chimeras". Within the last few years the freelance artist already had quite a number of groups and individual exhibitions which partly received the attention of the press. After a long search he has found or created his personal style which he mentions according to the name of Japan in the national language "Nihonismus", a type of the abstract painting which takes strong redresses on the art forms of old Japan:

"I have been interested in Japan already since early childhood. I think it has started at that time when I have seen 'shogun' of James Clavell as a film first and read then the book "to this" the first time. For every boy knights are interesting; it rather dragged me out to to the samurai with their strict code of honor. After this a little banal first admission I started to get into the Japanese history studied the culture, life attitude, philosophy and religion of the country of the rising sun. The country has influenced me strongly in my career and conception of oneself. For many years I have operated Iai-Do, the art of the sword ache and Schattenkämpfens with the Katana, the typical samurai sword, of which I have a quite considerable collection now, now already. Furthermore I practice regularly the meditation techniques the Za Zen Buddhism. Not least has my fascination persuaded me of it for the country of the gods one extended to do Japanreise on which I could realize and deepen my artistic ambitions on the spot. I was lucky to be instructed by some masters of one who taught me different essential features of the Cha-nu yo (tea ceremony), the Ikebana and the flourish painting in the context of the Zen Buddhism meditation. Just this flows into my work now.

Back in Germany I deepened this, what I could acquire into further during a year, course with different private tutors, however, didn't come onto the idea until there of using the acquired knowledge and skills in another form than the traditional ones. In the course of the year 2008 the thought of walking along new ways of the art after my previous pictures seemed increasing there been to me as flat and somehow sometimes matured more and more in me. I lusted to create a little new one after the one whom no-one else has still done until there. I remembered the yugen and made some tests that way on paper and canvas which, however, didn't correspond to my ideas at first. The breakthrough came, as me, from the year 1992 an old work fell into its hands: few, simple but meaningful colors -- principal brown tones, red, black and gold. A variety of works arose after this inspiration within few weeks. I work in mixing technology what wants to be called that different techniques and painting means are used. Then gold bronze I paint the flat coats exclusively with natural colors manufactured and work " damp into/on damp " with Indian ink, thinned acrylic paint, shellac and different bronze, predominant. The flax walls started grow and I think with few specific brush lines, Auftröpfelungen and Verwischungen I have found a basic form now which is definitely worth getting a name of its own. Followed the name of Japan in the national language, Nihon, I describe this art direction as a Nihonismus. The Nihonismus is an abstract painting for me with redress on old Japanese art forms in which the meditative aspect also takes effect particularly, said quite briefly. My pictures aren't the looking only consideration objects but rather either meditation helps this one shall move and spirit open his into certain atmospheres. At present, I work exclusively in this technique, experiment, however, on other fields furthermore. I don't neglect my heraldic studies and medieval drawings either. The question arises again and again in times of the economizing crisis: "Who does need this one art already?". I only can say that all of us see at the moment profit lasting values should be in demand and not the small-minded just in times of the where crisis has led this - ring after this squint quite clearly! Perhaps I simply would like in conclusion to quote King Ludwig I of Bavaria here: Who creates things for the posterity is not an ordinary human being!

Gastroparesis Autoimmune

Nihonismus - a new art form

Alexander Snehotta of Kimratshofen, except artists from Munich, presented with a new art movement, which he describes as Nihonismus (s) is a kind of abstract painting in Europe ized fashion to art forms of ancient Japan (such as ink painting, gilding art, woodcut and wood printing and many more) draws.

He takes on the traditional exhibition opportunity at the shopping street "Leopold Street" in Munich in the venerable artists' quarter of Schwabing. There he and his art are to do in the autumn to changing times in Natura.

can notice by the artist, and writer heraldist like to go in his artist's apartment in the Maxvorstadt, where his works can be seen in the original.

Interview:

Alexander Snehotta of Kimratshofen is an artist from the traditional quarter Maxvorstadt-Schwabing in Munich, where he also lives and works. He is 1 Board of the Art Association Art Association and member of the refuge Artists Association "color chimeras. In recent years, a freelance artist had already found a number of group and solo exhibitions, some of the attention of the press. After a long search, he has his own style found or created, he called after the name of Japan in the national language "Nihonismus" - a kind of abstract painting, the heavy reliance on the art forms of ancient Japan is increasing:

"For early childhood, I am interested in Japan. I think that time started when I first saw Shogun by James Clavell first as a film and then the book to "read. For every boy knights are interesting, I was drawn more towards the samurai, with its strict Code of Ethics. After this slightly banal initial access, I began to Japanese Read history, studied the culture, attitude, philosophy and religion of the land of the rising sun. The country has influenced me greatly in my career and self-image. For many years I'm now already Iai-do, the art of drawing the sword fighting and shadow with the Katana, the traditional Samurai sword, of which I have now a fairly sizable collection. I also exercise myself regularly in the meditation techniques of the Za-Zen. Last but not least me my fascination for the land of the gods Initiated by a extended trip to Japan to do where I live out my artistic ambitions on the ground and could deepen. I was instructed by one of the lucky few to be masters, who taught me the Zen meditation under several broad Cha-nu-yo (tea ceremony), ikebana and the ink painting. Just that now flows into my work.

Back in Germany I deepened what I could acquire me for a year in additional courses with various private teachers, but until then was not the idea of what they have learned in a different way than traditional apply. In the course of 2008 grew in me more and more the thought of new ways of art, after my previous images increasingly flat and appeared somehow been there before. I is anxious to create something new that has so far made no other. So I thought for me on the yugen and made some tests on paper and canvas, but initially did not meet my expectations. The breakthrough came when me an old factory in 1992 fell into the hands: a few simple but meaningful colors - mostly shades of brown, red, black and gold. After this enlightenment within a few weeks were a variety of works. I work in mixed media, which will mean that different techniques and mediums are used. The primers I paint exclusively with self-manufactured natural dyes and then work "in wet / damp on" with India ink, diluted acrylic paint, shellac and various bronzes, mainly gold bronze. With a few specific strokes, and smudges Auftröpfelungen began screens grow and I think I have found a basic form that is definitely worth a name to get. Based on the name of Japan in the national language, Nihon, I call this art as Nihonismus. The Nihonismus for me is quite short, abstract painting with a drawing on ancient Japanese art forms, in particular, will also contribute to the meditative aspect. My pictures are intended not only objects of consideration, but also meditation aids, which enable the authority in certain moods and open his mind. Currently, I work exclusively in this technique, however, continue to experiment in other areas. Also my studies and medieval heraldic drawings I do not neglect. In times of economic crisis has raised again the question: "Who needs to appreciate art?". All I can say is that in times of crisis lasting value should be in demand and not the small-minded squint after ringing Profit - has led where we see right now all quite clearly! Finally, I might want to just quote King Ludwig I of Bavaria: who creates things for posterity, is no ordinary man!