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* Sniff *

Fully the beautiful song, but soooo sad. Does not even hammer muffins? I must also try it, I should ever again have such a thing as free time ... XDDD

Free Damask Wedding Clipart

I love my current wallpaper ^ ^

Japanese Wedding Verses

trnd project "Alterra" Good news

As I already told you once, I've read a book preview. For the most part that happened on the beaches of Antalya, which is why I could not just write a review. But I will make up for here in detail. ^ ^



The details:

Maxime Chattam
Alterra - The community of Three
Publisher Pan
€ 16.95

The first impression:

When I had opened the package, full of anticipation with the book, I was thrilled. I like the design of the cover really very good and appealing. I would have definitely pulled in a bookstore off the shelf. It is very decorative, thus making good in the home bookshelf, and has a reference to the content of the book. This was supposed to be really the case with every book, but alas, unfortunately it is often not so. The design picks up on every case, many details from the story. What I at first glancing at this book also immediately noticed: It is divisible into three parts and 49 chapters. This makes the book clear and a very nice extra, as I think the design is the beginning of each new part, but also a new chapter.

History:

Basically everything begins with a storm, but no ordinary ones. Because after only children are left. In the only surviving adults are aggressive mutations that prey on children. Nature, too, is no longer what it once was. Plants and animals are also mutated, such as unusually large, and their habitats have reclaimed. This means that the children in an already dangerous environment also have to make do without technology. The protagonist, Matt and his friend Tobias after an accident on a group of children who call themselves Pan and are distributed throughout the country. There they meet Ambre and together they form the community of the three mentioned in the title. You try to find out what happened to the storm and go to the bottom of new phenomena, such as the alteration of a particularly intense distinct talent that some children have developed. To date the Pan-communities keep using so-called wide-walkers, some young people who travel from community to community and exchange as the latest information. These are but a very dangerous undertaking, for not only the changed nature is a risk, it also applies to all sorts of weird shapes.

The opinion:

I found the idea of the book great. have to live in a world of children and young people with no adults and technology, while starting from scratch. The idea that nature takes its revenge, or destroyed as a defensive reaction to what has harmed her and now the survivors a chance for a fresh start there, like it very much. However, I am ambivalent about some elements of the plot, because I do not understand how they fit into the overall picture. Because I think especially to the Torvaderon. Perhaps it is still not clear to me, because this book is just the first of a series, but I find this totally unnecessary character and have the feeling that he was introduced only for the reason Matt to make it special among all children and young people and the three friends at the end of the book give a reason for leaving their pan-community, as Matt so completely out of this being yet for some reason is being pursued. This is really a point that bothers me. However, I love the scientific mind game within the story. could attempt to explain the storm as a defensive reaction of nature and also the development of alterations I find fascinating and I think it will remain the focus, rather than magic from nowhere a strange creature, yet its significance in the first volume really clear is. But as we move even in the fantasy genre, which had to be done well enough.
As for the writing style of the author, I must say that this is not necessarily been one of the books, the socks off me so cut, has that I could not put a second off his hand. This could be because among other things, that you can not partially seen exactly what the story intended to lead ultimately. But sometimes it seems a bit written into the blue, I think, that must not, even if it is the beginning of a series. However, it was nevertheless a pleasant pastime was to read easily and also included some points on which to make even more thoughts after the event. If one is not looking for something special, I can recommend the book entirely.

Celestron T Ring For Olympus Evolt 500

I can not wait for the next week. On 3 October is finally going on my vacation and I'm so excited! I will use the 2 weeks of my holiday really complete. Finally I can enjoy some sun and catch up on the summer that is me this year emotionally somehow lost. Is probably because I worked really a lot.

Another Super news: I had signed up some time ago in trnd.com what is unique, a market research company. Now I can finally attend my first project. And although I should read a book ("Alterra"). Roughly, it is the book about a world without adults and without art, which I first strongly to "The Tribe" had remembered. Does anyone know of this series in New Zealand? She ran a few years ago KIKA and I confess that I was really Toppi and look still would. =) In any case, I found after reading a sample, the similarities stopped there already. I expect my package within the next week and will my stay at the Istanbul airport definitely use it to devour this book. I will write about as it pleased me. = D

Gordon Spotting Scope Reviews

Kanzler Duell, TV triathlon

Now I've watched duel Chancellor and TV triathlon. The former was, as the media properly closed, horrible fatigue. Both have only once praised 10 minutes, the grand coalition, without taking consideration of the questions asked and answered, both every question in the same direction - standard response: "yeah, I think, too, only just a small detail I would like to change it ... " Both Merkel and stoning deviated from the questions and babbles constantly around each topic. Several issues were - left out, the hosts were too kind to the two - probably lack of time.

The triathlon I liked better. Trittin has retained distinguished, during a tour in Guido Oskar has attacked. Overall, the yellow poison dwarf is by far the best figure has been included as it has demonstrated the only one economics-based knowledge. The presentation was better and the entertainment value is many times higher.

I'm annoyed that none of Doctor of Merkel, stoning and Westerwelle begrudge her doctor - because the reporters and political opponents could still have a bit of etiquette. Especially when I like, Guido, obviously go away just because, because I'm upset, not to have been admitted to the Registrar duel and miss my bad mood at some fat SED Kobold must, I would constantly point out that one to me, will n bit I pay respect to.

Total I found both events unnecessary. The only realistic coalitions are black and yellow, and black and red, from a chancellor is therefore pointless duel, because stoning is not always Chancellor (Guido's criticism is more than right). Also Trittin and Oscar are in any realistic government opposition, the transition to the studio means saving. Interesting at best a duel Foreign Minister Guido would be against stoning - Merkel could then sometimes stay home and do what sensible or just sleep finally - it looks so out horrible! Trittin and Oskar could read in the meantime a couple of economics books to help you with this silly talk of minimum wage, executive pay and property taxes . Stop What would remain would be an intellectual debate between our lawyers, then the work of the grand coalition could also seriously take on the topic, instead of repeating in unity mantra that everything is great (1 duel) or a crock of shit (2nd Fight) was.

A final word, perhaps still, the next person to do so, as if some Scandinavian country compared with Germany should be punished with 20 lashes. Maybe Oskar starts first time in the backyard of his mansion to dig for oil before he does so, as could the German machinery, plant and car manufacturers exporter afford NEN socialism as the north. In addition, Schopenhauer should be able to apply it as clever as he was identified when using other tricks. Anything else is silly.

Luckily I had already voted by mail. This entry is (currently) PUBLIC, which I beg to note in comments.

My Kidneys Are Irritated

Last entry before 54 weeks

My goodness, 1 year is already here ... I'm really lost my energy to write ... And I've actually written really like ... I do not know why it happened. Six months ago I had a Ground before, but not before one year. Six months ago, I even stopped writing with a diary, I wrote at the time no mail or other messages.
Well ... I think I need something to express myself, just some "random thoughts" get rid of ... Does anybody actually a good German translation for this? I can think of no easy one.
So now my English blog is still there and then I'll finally write my mails!

Projector For Dummies

Interview with the artist (GO Munich, Feb. 2009)

Since early childhood I am interested in Japan. I think that time started when I first saw Shogun by James Clavell first as a film and then the book to "read. For every boy knights are interesting, I was drawn more towards the samurai, with its strict Code of Ethics. After this slightly banal initial access, I began to read in Japanese history, studying the culture, attitude, philosophy and religion of the land of the rising sun. The country has influenced me greatly in my career and self-image. For many years I'm now already Iai-do, the art of drawing the sword and Shadow fighting with the katana, the traditional Samurai sword, of which I have now a fairly sizable collection. I also exercise myself regularly in the meditation techniques of the Za-Zen. Last but not least me my fascination for the land of the gods Initiated by a extended trip to Japan to do, where I could deepen my artistic ambitions live on site. I was instructed by one of the lucky few to be masters, who taught me the Zen meditation under several broad Cha-nu-yo (tea ceremony), ikebana and the ink painting. Just that flows Now in my thesis.

Back in Germany I deepened what I could acquire me for a year in additional courses with various private teachers, but until then was not the idea of what they have learned in a different way than traditional apply. In the course of 2008 grew in me more and more the thought of new ways of art, after my previous images increasingly flat and appeared somehow been there before. I is anxious to create something new that has so far made no other. So I thought for me on the yugen and made some tests on paper and canvas, but not initially corresponded to my ideas. The breakthrough came when me an old factory built in 1992 in dropped his hands: a few simple but meaningful colors - mostly shades of brown, red, black and gold. After this enlightenment within a few weeks were a variety of works. I work in mixed media, which will mean that different techniques and mediums are used. The primers I paint exclusively with self-manufactured natural dyes and then work "in wet / damp on" with India ink, diluted acrylic paint, shellac and various bronzes, predominantly gold bronze. With a few specific strokes, and smudges Auftröpfelungen began screens grow and I think I have found a basic form that is definitely worth a name to get. Based on the name of Japan in the national language, Nihon, I call this art as Nihonismus. The Nihonismus for me is quite short, abstract painting with a drawing on ancient Japanese art forms, is particularly well to take the meditative aspect. My pictures are intended not only objects of consideration, but also meditation aids, which enable the authority in certain moods and open his mind. Currently, I work exclusively in this technique, however, continue to experiment in other areas. Also my studies and medieval heraldic drawings I do not neglect. In times of economic crisis has raised again the question: "Who needs to appreciate art?". All I can say is that in times of crisis lasting value should be in demand and not the small-minded squint after ringing profit - has led where we see right now all quite clearly! Finally, I might want to just quote King Ludwig I of Bavaria: who creates things for posterity, is no ordinary man!

Robert Plant Alison Krauss Tour

Nihonismus? What is it?

Nihonismus - a new art form

Alexander Snehotta of Kimratshofen is an artist from the traditional quarter Maxvorstadt-Schwabing in Munich, where he lives and works. He is 1 Board of the Art Association Art Association and member of the refuge Artists Association "color chimeras. In recent years, as the independent artists already several group and solo exhibitions, some of the attention of the press found. After a long search he has found his personal style and creates, he calls for the name of Japan in the national language "Nihonismus" - a kind of abstract painting, the heavy reliance on the art forms of ancient Japan takes.

can notice after the painter, Herald and writer to visit artists in his apartment, where his works can be seen in the original.

Get a glimpse at:

http://www.youtube.com/watch?v=VAkHlOy0gY4

2010 Griha Pravesh Dates

Introduction character Tulso Ladris

Hello again,

this here is the idea of my RPG character. I know it is a bit unusual, but I thought it would have detailed and accurate. So we start.

Name: Tulso Ladris
Race: Human
Age: 24 years
Size: 175 cm
eyes
deep green hair: black and always cut short
Hautfrabe: light
Build: slender
birth: Kuat
Location: Coruscant
Alignment: Imperial
Occupation: member of a task force of the secret

Career: Formerly Tulso Ladris troop leader of a group of stormtroopers. Unfortunately, developed his career no good. The low point of his career was an insert in the lower city of Coruscant. The mission ended in a massacre and many witnesses reported Ladris was responsible was. Only the fact that the job was still running and the few survivors returned safely Ladris rescued from the sidelines.
The transport to a special unit of the secret service had more than a hook and was part of the rehabilitation in the eyes of his superiors. Ladris agreed with each edition and allows for more technical work on his body. Many of these interventions were not tested on humans and for research purposes. This includes doses of stimulants.
Tulso Ladris has now been released from duty for an indefinite period and is only waiting for his first job.
Many have doubts about my Tulso and he was only a test subject of the empire was.

special features: slight traces of technical operations on the entire body. Muskelverstäkungen are most easily visible in the upper body area, notice the light through thin silver and gray Pflecken Linen under the skin. Also easily seen are two network connections on the left side of the neck and on the right side of the back. He is prone to mood swings and is a perfectionist when it comes to his work.

family: The family of Tulso leads a very orderly life on Coruscant. His father Technicke is in a large maintenance facility for speed and other civilian vehicles. His mother has been cooperating part-time in a pub in the upper area of the city. His two sisters are fully trained pilots, cargo and run a small business in one of the ports area of the planet.
------------------------------------------------- -------------------------------------------------- -------------------------------------------------- -----------------------------


so it would be ready. Your comments and criticism I listen to you. I will ensure that the character description is always current.

MfG

Tulso Ladris aka Kir Kano

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idea

Hi,

they told me I should but sometimes register here and join in, if I want. Well now I've signed and the rest is yet to vll
So I am the church and greet all cordially. Well what can I say now? I am always Imperial in any situation and make it no secret. Otherwise, I'm actually quite nice and sociable.

MfG

Tulso Ladris aka Kir Kano

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THE GROWING PROJECT, a growing work of art

The "GROWING PROJECT" is an idea of ALEXANDER Snehotta of Kimratshofen, an artist and inhabitant from Munich (Germany, Bavaria).

As many people as possible shall participate in this sculpturelle installation.

an empty cigarette packet Crumple up, attach it in the form of and stick it to the "core" already existing according to your wishes.

In the future a gigantic pyramid, ball or other "geometric" figure will be built from the once little primordial cell.

The project is perpetuated approximately half a year and the newest stand contents shall be shown on the Internet.

The growth of the sculpture and the increasing number of participants shall be particularly documented.

A huge variety of persons has „signed up“ at this way of the action-art already now.

For only one euro "registration fee" one becomes godfather and part of this work of art, rising with a community growing constantly.

Further support to the project donate is liked to be seen.

Show your friends your contribution to the art!

You will find artist and work of art at the traditional artist in the mile LEOPOLDSTRASSE (Munich) almost every Saturday.

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The Growing Project - a growing art

THE " GROWING PROJECT " is an idea of MUNICH EXCEPTION OF ARTIST ALEXANDER Snehotta Kimratshofen. MANY PEOPLE AS POSSIBLE SHOULD BE AN A sculpturelle installation. Crush an empty cigarette box, BRING IN FORM AND STICK TO YOUR WISH TO THE EXISTING " NUCLEAR " . In the future, a gigantic pyramid, ball or other " GEOMETRIC " figures from the once little primordial cell. THE PROJECT IS FOR ABOUT HALF A YEAR BE UPDATED ON THE INTERNET AND POSSIBLE KEPT UP TO DATE. In particular, the GROWTH OF PLASTIC AND THE INCREASING NUMBER OF PARTICIPANTS ARE DOCUMENTED. ALREADY NOW HAS A NUMBER OF PEOPLE IN THIS KIND OF ART ACTION INVOLVED. ONLY FOR EURO " PARTICIPATION FEE " BECOME A SPONSOR AND PART OF A WORK OF ART, THE IN ASSOCIATION WITH A STABLE GROWING COMMUNITY IS CREATED. DONATIONS TO SUPPORT THE PROJECT are welcome. SHOW YOUR FRIENDS YOUR CONTRIBUTION TO ART! YOU ARE ARTISTS AND ART WORKS ALMOST EVERY SATURDAY AT THE TRADITIONAL ARTISTS IN THE MILE ROAD LEOPOLD (MUNICH).

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Nihonismus, a new form of art

Alexander Snehotta of Kimratshofen, the exception artist from Munich, presents himself with a new art direction which he describes as a Nihonismus: a type of the abstract painting, which goes back on art forms of old Japan, (as flourish painting, gold cladding art, woodcut/wood pressure and many more).

He takes part in the traditional exhibition possibility at the strolling mile "Leopoldstraße" in Munich in the well-known artist quarter Schwabing, where he and his art can be seen „en nature“ in changing times.

After advance notice the artist, herald and man of letters proudly invites you to visit him at his artist apartment in the Maxvorstadt, where his works can be looked at in the original.

 

 

Interview:

Alexander Snehotta of Kimratshofen is an artist from the quarter rich in tradition, Maxvorstadt-Schwabing, in Munich where he also lives and works. He is 1st executive board of the artists’ association Kunstrefugium e.V. and a member of the artist union "color chimeras". Within the last few years the freelance artist already had quite a number of groups and individual exhibitions which partly received the attention of the press. After a long search he has found or created his personal style which he mentions according to the name of Japan in the national language "Nihonismus", a type of the abstract painting which takes strong redresses on the art forms of old Japan:

"I have been interested in Japan already since early childhood. I think it has started at that time when I have seen 'shogun' of James Clavell as a film first and read then the book "to this" the first time. For every boy knights are interesting; it rather dragged me out to to the samurai with their strict code of honor. After this a little banal first admission I started to get into the Japanese history studied the culture, life attitude, philosophy and religion of the country of the rising sun. The country has influenced me strongly in my career and conception of oneself. For many years I have operated Iai-Do, the art of the sword ache and Schattenkämpfens with the Katana, the typical samurai sword, of which I have a quite considerable collection now, now already. Furthermore I practice regularly the meditation techniques the Za Zen Buddhism. Not least has my fascination persuaded me of it for the country of the gods one extended to do Japanreise on which I could realize and deepen my artistic ambitions on the spot. I was lucky to be instructed by some masters of one who taught me different essential features of the Cha-nu yo (tea ceremony), the Ikebana and the flourish painting in the context of the Zen Buddhism meditation. Just this flows into my work now.

Back in Germany I deepened this, what I could acquire into further during a year, course with different private tutors, however, didn't come onto the idea until there of using the acquired knowledge and skills in another form than the traditional ones. In the course of the year 2008 the thought of walking along new ways of the art after my previous pictures seemed increasing there been to me as flat and somehow sometimes matured more and more in me. I lusted to create a little new one after the one whom no-one else has still done until there. I remembered the yugen and made some tests that way on paper and canvas which, however, didn't correspond to my ideas at first. The breakthrough came, as me, from the year 1992 an old work fell into its hands: few, simple but meaningful colors -- principal brown tones, red, black and gold. A variety of works arose after this inspiration within few weeks. I work in mixing technology what wants to be called that different techniques and painting means are used. Then gold bronze I paint the flat coats exclusively with natural colors manufactured and work " damp into/on damp " with Indian ink, thinned acrylic paint, shellac and different bronze, predominant. The flax walls started grow and I think with few specific brush lines, Auftröpfelungen and Verwischungen I have found a basic form now which is definitely worth getting a name of its own. Followed the name of Japan in the national language, Nihon, I describe this art direction as a Nihonismus. The Nihonismus is an abstract painting for me with redress on old Japanese art forms in which the meditative aspect also takes effect particularly, said quite briefly. My pictures aren't the looking only consideration objects but rather either meditation helps this one shall move and spirit open his into certain atmospheres. At present, I work exclusively in this technique, experiment, however, on other fields furthermore. I don't neglect my heraldic studies and medieval drawings either. The question arises again and again in times of the economizing crisis: "Who does need this one art already?". I only can say that all of us see at the moment profit lasting values should be in demand and not the small-minded just in times of the where crisis has led this - ring after this squint quite clearly! Perhaps I simply would like in conclusion to quote King Ludwig I of Bavaria here: Who creates things for the posterity is not an ordinary human being!

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Nihonismus - a new art form

Alexander Snehotta of Kimratshofen, except artists from Munich, presented with a new art movement, which he describes as Nihonismus (s) is a kind of abstract painting in Europe ized fashion to art forms of ancient Japan (such as ink painting, gilding art, woodcut and wood printing and many more) draws.

He takes on the traditional exhibition opportunity at the shopping street "Leopold Street" in Munich in the venerable artists' quarter of Schwabing. There he and his art are to do in the autumn to changing times in Natura.

can notice by the artist, and writer heraldist like to go in his artist's apartment in the Maxvorstadt, where his works can be seen in the original.

Interview:

Alexander Snehotta of Kimratshofen is an artist from the traditional quarter Maxvorstadt-Schwabing in Munich, where he also lives and works. He is 1 Board of the Art Association Art Association and member of the refuge Artists Association "color chimeras. In recent years, a freelance artist had already found a number of group and solo exhibitions, some of the attention of the press. After a long search, he has his own style found or created, he called after the name of Japan in the national language "Nihonismus" - a kind of abstract painting, the heavy reliance on the art forms of ancient Japan is increasing:

"For early childhood, I am interested in Japan. I think that time started when I first saw Shogun by James Clavell first as a film and then the book to "read. For every boy knights are interesting, I was drawn more towards the samurai, with its strict Code of Ethics. After this slightly banal initial access, I began to Japanese Read history, studied the culture, attitude, philosophy and religion of the land of the rising sun. The country has influenced me greatly in my career and self-image. For many years I'm now already Iai-do, the art of drawing the sword fighting and shadow with the Katana, the traditional Samurai sword, of which I have now a fairly sizable collection. I also exercise myself regularly in the meditation techniques of the Za-Zen. Last but not least me my fascination for the land of the gods Initiated by a extended trip to Japan to do where I live out my artistic ambitions on the ground and could deepen. I was instructed by one of the lucky few to be masters, who taught me the Zen meditation under several broad Cha-nu-yo (tea ceremony), ikebana and the ink painting. Just that now flows into my work.

Back in Germany I deepened what I could acquire me for a year in additional courses with various private teachers, but until then was not the idea of what they have learned in a different way than traditional apply. In the course of 2008 grew in me more and more the thought of new ways of art, after my previous images increasingly flat and appeared somehow been there before. I is anxious to create something new that has so far made no other. So I thought for me on the yugen and made some tests on paper and canvas, but initially did not meet my expectations. The breakthrough came when me an old factory in 1992 fell into the hands: a few simple but meaningful colors - mostly shades of brown, red, black and gold. After this enlightenment within a few weeks were a variety of works. I work in mixed media, which will mean that different techniques and mediums are used. The primers I paint exclusively with self-manufactured natural dyes and then work "in wet / damp on" with India ink, diluted acrylic paint, shellac and various bronzes, mainly gold bronze. With a few specific strokes, and smudges Auftröpfelungen began screens grow and I think I have found a basic form that is definitely worth a name to get. Based on the name of Japan in the national language, Nihon, I call this art as Nihonismus. The Nihonismus for me is quite short, abstract painting with a drawing on ancient Japanese art forms, in particular, will also contribute to the meditative aspect. My pictures are intended not only objects of consideration, but also meditation aids, which enable the authority in certain moods and open his mind. Currently, I work exclusively in this technique, however, continue to experiment in other areas. Also my studies and medieval heraldic drawings I do not neglect. In times of economic crisis has raised again the question: "Who needs to appreciate art?". All I can say is that in times of crisis lasting value should be in demand and not the small-minded squint after ringing Profit - has led where we see right now all quite clearly! Finally, I might want to just quote King Ludwig I of Bavaria: who creates things for posterity, is no ordinary man!